Newfoundland is worming its way more and more into my soul, and out again in my writing.

We came over on holiday in 2005 and loved it. When my job in Edinburgh went tits-up in 2007, it was just when I was starting to get some serious pro-level story sales, and we knew we could get a nice house with a great view dirt cheap over here on The Rock. So we sold up in Scotland, whacked some money in the bank, bought a house on the shore here in a fishing village, and I tried writing full time. I’ve not starved us yet.

It’s not quite in the middle of nowhere. We have roads, a post office, a supermarket and some takeaway places. We even have running water and electricity. The people are very friendly, mostly of Irish descent around here, and it’s lovely and quiet, which suits me just fine.

It also seems to suit my writing. The third Derek Adams book, THE SKIN GAME was stalled in its opening act back in Scotland, but that first winter after we got here I realised that Derek could come here too, and after that the rest of that one fell quickly into place.

Since then I’ve been exploring various parts of the island and its culture in my novels. THE DUNFIELD TERROR takes place around Trinity, where I spent my first year here working on a whale tour boat (the reprint of that one is coming soon from Crossroad Press.), FUNGOID takes place in the island capital St. Johns, and also up this peninsula where I live while SONGS OF DREAMING GODS is set in a corner townhouse in St. John’s again.

I’ve got two more novels based here in the pipe at Crossroad Press, namely THE BOATHOUSE, set here in our home port of Catalina, and THE GREEN AND THE BLACK, set in a derelict Victorian mining colony in the island’s interior.

There will be more, as I haven’t covered the whole glorious gamut of this place yet.

And I need to get a moose in somewhere.

 

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