My pulp fiction sells better than my attempts at weird, more literary short fiction.

There’s no beating about the bush about that, it just does. Over the years my heart has been in trying to make a break through in the weird short story field, and I’ve pushed myself hard in attempts to leave a mark in that area.

But after nearly thirty years at it, it’s not got me where I want to be, and to some in the weird fiction arena I’m still–I’ll always be–‘That hack. That pulp guy’.

They see it as an insult. I wear it with pride.

My pulp fiction sells much better than my weird short fiction.

So, now that I’m in my Sixties, and a pensioner to boot, I’ve been thinking about the way ahead again. I had been planning to write another collection of Victorian supernatural stories this year, and even had an editor interested, but on consideration, my heart is no longer in it. I think I’ve said all I have to say in that area in THE GHOST CLUB, which is what I’ll point to if anybody asks why I’m not doing any more. That collection has picked up great reviews, and is selling relatively well. But INFESTATION, my recent pulpy, big-bug short novel is outselling it, and all my other books, by a long way.

So what with that, and my attempts to sell recent short stories to new weird markets not getting me any joy, this year I’m sticking to what works for me. I’ve got a contract to write another pulpy thriller for SEVERED PRESS, my third with these characters, and I’m having a lot of fun with them.

So there’s that, and the fact I want to write another Derek Adams book sometime this year. I’ll be back in the ghost story arena with CARNACKI at some point too, as that’s a love I can’t shun, and I’d like to get a fourth collection done that has some new stories and also collects some published stories that haven’t yet been collected together.

So I choose fun.

Fun is good. It’s better than angst, especially when you’re a pensioner.

Besides, my pulp fiction sells better than my weird short fiction.

 

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