heroesofredhookA collection of jazz era cosmic horror short stories featuring immigrant, minority, female, LGBT, and other outsider protagonists.

The book will contain my retelling of Lovecraft’s THE HORROR AT RED HOOK from the viewpoint of two of the local ethnic population.

Also included are works by Mercedes M Yardley, Tim Waggoner, Cody Goodfellow, Wilum Hopfrog Pugmire, Sam Stone and many more.

Support the Kickstarter here and get in on some nice bonuses with the publication.

And watch the video linked below – it tells you more about what the project is all about.

https://www.kickstarter.com/projects/golden-goblin-press/heroes-of-red-hook/widget/video.html

From the Publisher

Heroes of Red Hook is a collection of cosmic horror tales taking place during the Jazz Era with a very important focus. The protagonists of this anthology are members of the various under represented demographic in Lovecraftian fiction. Our heroes and heroines are the outsiders who are most often blamed (wrongly so) for the actions of various alien horrors of the mythos. Our stories put the spotlight on ethnic and religious minorities, immigrants, independent free thinking women, those with special needs, and members of the LGBT community. This collection features people struggling to overcome not only the horrors beyond mankind’s understanding, but an oppressive society seeking to deny them basic human rights.

The vast majority of the fans of Cosmic Horror Fiction struggle to reconcile their love for the genre with inherent racism of the original works of its creator, H.P. Lovecraft. Many of us are disturbed that bigots and hateful groups treat Lovecraftian fiction a manifesto to support their racism.They point to stories like The Horror at Red Hook and say, “See there, that is what’s wrong with the world.” They point to places like Brooklyn, and all they see is taint, corruption, and shadows.

We here at Golden Goblin Press reject their message and their ignorance, as we stand up and try to guide our genre towards a more inclusive future.  We see the mixing of races, cultures, genders, and orientations not as a negative, but as mankind’s greatest strength. These are not shadows to be fearful of but our brightest light guiding us to a more enlightened tomorrow. Together we can change the legacy of Lovecraft, from one of blame, fear, and bigotry, into something more representative of our greater humanity. We know that one little book won’t solve the problem in our genre, but maybe it can be a nudge in the direction it needs to move coming into the 21st century.

That might be a lot to ask from one book, but those familiar with cosmic horror know all too well the power one little book can sometimes wield.

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